Concert Review: Charlotte Day Wilson Is Euphoric In Brooklyn

I am a MAJOR fan of Charlotte Day Wilson. I have always been, and we she, literally, defined an entire television relationship on Euphoria, I understood her power. When a song can fit so perfectly with a scene or a bond, it feels like kismet or spiritual glue. Charlotte had us sticking together at MHOW.

It was two seconds to an emotional apocalypse when she played “Work,” but that’s because, in some ways, Charlotte’s music defines young love like a surreal, teen drama such as, Euphoria. She has an uncanny way of capturing the brightness of new love and how self-sabotaging our insecurities can be to it; as if our ego has a radio alert signal to warn our heart that if it falls deeply, it will do everything to make its romance feel shallow. Its a sad twist that makes her show so enamoring to watch and unabashedly sway.

Sonically, Charlotte sounds rhythmically ethereal. There is apart of you that just wants to lightly twerk on a cloud with tracks like, , which all fit her MO of creating beautiful, nostalgic opuses to the defining relationships that get an A for effort. You know the ones that we look back on as, “We could have had it all until…” In essence, she sings to the “until;” the moment when all that is becomes “was,” and it was either through natural fading or a long-winded fight, but, somehow, we ended up on the edge of become a love that was. Add on a voice that caresses you like silk and a good, humble humor and Charlotte feels the quintessential songstress for those whose existentialism is bedded in romance. For More Information On CDW Click Here.