Concert Review: Loote Steal The Stage At Terminal 5
Every stage is another opportunity, and Loote was gaining the chance of a lifetime to conquer Betty Who’s fans. From the minute you entered Terminal 5, LGBTQ pride was abound! Love and vibrant colors spread through the three story warehouse as if the two had finally decided on a family home. Such vivacity met well with the duo because, like Betty, they fit into the pop glam and glitz of having no clue how to handle relationships.
Thanks to Loote, a twinkling synth and a booming bassline represented how light love can make you feel versus how heavy it is in meaning. The most exciting and exhausting thing you will ever be involved in is called a relationship. It. can make you feel like either a balloon floating in the air or a bag of bricks falling to the ground, and tracks like, “Better When You’re Gone,” “Tomorrow Tonight,” and “Don’t Call Me” revealed that. It’s hard to love and hate someone, all at once, or rather to love someone and hate yourself. Yet, Loote portrayed that pop music is here to turn your heart woes into a disco ball: shiningly bright but stuck on spin.
With Jackson Foote on drums and Emma Lov serving vulnerability, Loote gave us their newest tracks, like “85%”, and showed the best thing you can do when you are on the mend is emote. Lov has a clear voice that focuses on the annotation of a note: similar to a Broadway actress. While Jackson’s voice smoked and sauced with emotion. Lov put her hand to her chest and emoted all the heartbreaks and “heartfelts” of love to make me wonder if emoting your feelings is all you need to do to communicate with your partner. In essence, be clear and you will be seen. Click Here For More Information On Loote.
