Artist Close – Up: Leah Abramson Offers Human/Animal Exploration

Leah Abramson’s Songs For A Lost Pod feels like the audio from a classic, sci-fi fantasy film. You hearing the narration and literal scenic explorations of Abramson as she journey to the depth of planets unseen or rather the curiosity of her being.

There is an old Spanish proverb that believes “Every head is a world!”. The notion being that every person, in living their own life and journey, feels like they are in their own, particular world. It is a solid idea when you think of the many times we wished someone would journey to our perspective, to which Abramson will certainly build a bridge. This album is unlike ANYTHING I have ever heard, and goes beyond the typical scoping of fave and un-fave tracks by literally feeling like a film. Thus, whether you love it or hate it, you will certainly feel like you experienced it. With mellow vocals that teeter between sung and narrated , Abramson feels like she has been lost and enveloped by a tribe of sounds ready to either devour or make her their queen. “Pender Harbour”, “Fossil Dust”, and “Lampedusa” are just a few examples that Abramson DOES NOT take music experimentation lights.

Abramson has experimented, and the result is a record that should, at the very least, be listened. Songs For A Lost Pod is one of pure humanistic and animalistic exploration. How we connect to being “human” but also being animals is integral to how we build human society/ history. If communication is connection, the Leah Abramson’s Songs For A Lost Pod is proof music is the strongest connection. For More Information On Leah Abramson’s Songs For A Lost Pod, which comes out on November 3 Click Here.