Diandra Interviews Axel Flóvent: Passion As A Profession
Axel Flóvent is so relatable. From song to style, he writes for the person that
Film Review: Big Time Adolescence Is Big Time Heart
I LOVED Big Time Adolescence. It is one of the funniest films of 2020, and
Concert Review: FANGIRL Over Audrey MIka RIGHT NOW
If there is one thing that is incredibly beautiful and terrifying about being young right
Artist Close-Up: Lonr. IS HUNGRY For The Stage
Lonr. may perform with a smooth charm, but his ambition is dripping from the stage.
Artist Cloese-Up: Flipp Dinero Is Going To Make The Bag
FLIPP DINERO IS COMING, PEOPLE! Don’t sleep on this charismatic rapper whose performance style is
Concert Review: GASHI Is THE MAN To His FANS At Gramercy
Going to a GASHI concert is like taking a purity test on how much a
Concert Review: Nasty Cherry Are Punk-Pop Fabulosity
I love Nasty Cherry. I am all for their fabulous edginess, and their ability to
Concert Review: Roses & Revolutions Bring The Epic To Pop
Roses & Revolutions has a MAJOR benefit to their sound; they make pop feel epic.
Artist Close- Up: Get Ready For The Vocality of COBI
I love a good, girded voice. One that makes your feel like emotions are hands
Concert Review: KOPPS Are For Aliens At Mercury Lounge
I interviewed Kopps awhile ago, and one thing I noted was that they were fiercely
Diandra Interviews Lu Kala – Discovering Love Through Writing Songs
When it comes to love and the industry, Lu Kala responds to both with strength
Album Exclusive: Kail Baxley’s Beneath The Bones
Coming out March 6, I got an advance of Kail Baxley’s Beneath The Bones, and
Album Review: Nadia Reid’s “Out of My Province”
Love does push you out of your comfort zone. Often, we discuss our relationships like
Diandra Interviews Chaz Cardigan: Free To Be Real
In an industry that can toss around words like, “thoughtful” and “vulnerable,” it is not
Diandra Interviews Roses & Revolutions: Finding Peace & Dreams In Music
Playing Mercury Lounge tonight, Roses & Revolutions are ready to tear up the stage, but