Concert Review: Chloe Moriondo Is The Wednesday Addams of Sweet Pop

Let´s be honest. Sad Girl Pop can feel a little saturated, especially now that the world feels extra sadder. In a way, that has made us all a little snobby over our sad songs. They cannot just be depression on a beat; they have to be artful and imaginative. Chloe Moriondo feels like the Wednesday Adams of Pop; emanating the playful danger of love’s darkness.

I don´t know why I kept on thinking of Lana Del Rey as I watched Chloe. They don’t sound alike in style at all, but both manage to build a fantasy off of inner brokenness that their fans adore. Having watched Chloe since the beginning of her career, it’s fascinating and admirable to see her embody there truth about time: it makes you better. She was always good and added an element of nightmare to her pop songs on pain and lovelorn. Yet, she has managed to wrap her darker tones into a sugary bow that makes her music feels like a sweet cake that bleeds when you cut it.

In some ways, Chloe is a marvel to the music industry pushing her, as well. You can always tell when a label has love for an artist, pushing her image forward as if it embodies some sector of humanity that has gone ignored. At Webster Hall, that sector was seen and happily singing distraught tracks such as, ¨Girl On Pups¨ or a cover The Cranberries´ ¨Linger¨. The perfection of her performance was that she made her fans feel like their connection was one of a kind and born from their mutual capacity to inner chaos into a sonic wonderland. For More Information On Chloe Moriondo Click Here.